REVIEW DC Theater Arts - “Arredondo’s Page was quite lovely — his steadfast support for his friends in their times of need was sincere and humorous at turns.”

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Frontieres Sans Frontieres - Spooky Action Theater

REVIEW UnProfessional Opinion - SEE IT - “Have you ever been watching a production, and as it unfolds, you realize you are watching some of the best acting, design, direction, writing, and theatrical creativity you have ever seen in DC? All in one uniquely captivating show? Frontières Sans Frontières from Spooky Action is an extraordinary artistic accomplishment in every element. It is one of the most uniquely enchanting and robustly creative theatrical experiences I have had in a long time. Bizarre, delightful, intense, and moving, the team at Spooky Action has crafted a work of sprawling vision, continuing their track record as DC theatre’s most exciting worldbuilders.”

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The Nance - 1st Stage

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Unprofessional Opinion’s Callbacks

FEATURE Unprofessional Opinion - “I do not believe it is possible for Dylan Arredondo to play it safe. His performances are compellingly fearless, showcasing boldly unbridled creativity. If a choice can be made that is more eccentric or more illuminating, he will always make it, with unwavering commitment. Particularly with Lend Me a Soprano, Arredondo was a captivating presence onstage from his very first entrance. Seesawing between fiery outrage and impassioned longing, his characterization managed to expertly balance authenticity and ridiculousness. A performance from Dylan Arredondo is guaranteed to delight and impress you.”

Lend Me a Soprano - Olney Theatre Center

REVIEW Unprofessional Opinion - SEE IT - “Dylan Arredondo immediately stole the show the moment he entered as Elena’s aggressive yet insecure husband Pasquale. His thick Italian accent and imposing physicality created endlessly hilarious moments, such as his jealous, flailing tantrum on the bed.”

REVIEW MD Theatre Guide - “Arredondo’s Pasquale is a bit Pavarotti and a bit Jackie Gleason, playing the jealous and phlegmatic husband of Elena Firenzi.”

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REVIEW Talkin’ Broadway - “Sanita and Arredondo wring every laugh out of their always-onstage characters.”

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Fiddler on the Roof - Olney Theatre Center

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As You Like It - Chesapeake Shakespeare Company

REVIEW DC Theater Arts - “Dylan Arredondo’s lecherous Touchstone steals many scenes.”

REVIEW MD Theatre Guide - “Memorable moments include Touchstone (Dylan Arredondo), the court jester who deters a rival by bouncing him off the stage with his belly.”

REVIEW BroadwayWorld - “Shakespeare’s clown character, called Touchstone in As You Like It, played with arch fatuousness by Dylan Arredondo, accompanies Rosalind and Celia into the forest of Arden, then pursues his own agenda.”

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American Theatre Magazine’s Role Call

FEATURE American Theatre Magazine - “Arredondo has ‘no fear or ego when it comes to taking a role or a job, whether it be big or small,’ said actor and director Ryan Sellers. ‘The arts are not a means to an end for him. The art is the point. The story is the goal. He is what theatre is at its best.’”

The Fisherman & His Wife - Adventure Theatre MTC

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The School for Lies - Constellation Theatre Company

AWARD Helen Hayes Awards - Nomination for Outstanding Ensemble in a Play

REVIEW DC Theater Arts - 2023 Staff Favorites: Outstanding Professional Productions

REVIEW MD Theatre Guide - “Arredondo opens the show and has the difficult task of getting the audience acclimated to the rhyming dialogue and over the top storylines. He succeeds beautifully. Arredondo and his beloved Eliante, played by incomparable Ria Simpkins, are truly the heart of the show. It helps that both actors are fabulous physical comedians and their love story is as hysterical to watch as it is touching.”

REVIEW DC Theater Arts - “Philinte (Dylan Arredondo), in a stunning pink ensemble, initially offers us a cynical and very funny monologue on the benighted state of life in 17th-century France. Arredondo’s Philinte, in the course of the play, will be adored, flattered, transformed into royalty, and repeatedly denied the affection of his beloved Eliante. He endures it all with a smile, a gift for physical comedy, and infectious good nature.”

REVIEW Metro Weekly - “Luckily for us, Arredondo’s charming Philinte, appearing solo at the top to sum up the setting, also ushers the audience into the bouncy meter and wordplay of Ives’ script. Arredondo finds a winking style for delivering the rhyming verse, matched by a boldly sassy demeanor that instantly sets the show’s mannered tone.”

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Julius Caesar - Avant Bard Theatre

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The Mortification of Fovea Munson - The Kennedy Center

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REVIEW BroadwayWorld - “The comedic timing of Fovea's parents, played by Dylan Arredondo and Regina Aquino, never failed to make me cackle from my seat.”

REVIEW TheatreBloom - “Dylan Arredondo also plays Fovea’s Father, a quirky and kooky individual who is just delightful to watch in action, especially when paired opposite of Fovea’s Mother, played by Regina Aquino.”

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Hamlet - Folger Theatre

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Beauty & the Beast (Remount) - Olney Theatre Center

REVIEW DC Theater Arts - 2022 Staff Favorites: Outstanding Professional Performances

REVIEW DC Theater Arts - “Dylan Arredondo and Bobby Smith have great chemistry as Cogsworth and Lumiere…”

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REVIEW Bethesda Magazine - Editors’ Pick

REVIEW Broadway Body Positivity Project - “Bobby Smith and Dylan Arredondo are outrageously and deliciously funny together as Lumiere and Cogsworth.”

REVIEW Schmergo - “Bobby Smith and Dylan Arredondo were side-splittingly funny and played off each other super well as Lumiere and Cogsworth. Despite their bickering, the two seemed like the best of chums and seemed to be having the time of their lives together. Their scenes were always highlights… …Enough [of the silly comic bits worked] to make the audience laugh uproariously. And they gave a lightness to the potentially existential scenes in which the household objects contemplate their fates – this version of the show felt more warm and light than those I’ve seen in the past.”

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Much Ado About Nothing - Chesapeake Shakespeare Company

REVIEW MD Theatre Guide - “The laurels for this performance rest squarely on the shoulders of Dylan Arredondo as Benedick. His brash confidence, highly energetic character work, humorous delivery, and repartee with the audience all combined into a stellar rendition of a character that has been played by many a great actor. I have many favorite moments from the evenings revelries…”

REVIEW BroadwayWorld - “Arredondo flirts charmingly with both Beatrice and the audience, bounding about with abundant confidence and good humor. It is impossible not to like him.”

REVIEW TheatreBloom - “Dylan Arredondo’s portrayal of Benedick was masterful in his ability to balance the ‘Prince’s jester’ with reluctant lover, and the scene where Claudio and Pedro lead a (not well) hidden Benedick into thinking Beatrice is in love with him shines as a beautiful moment of blocking, phrasing, and comedic timing on Arredondo’s part to have the audience in stitches.”

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Madre de Dios - Round House Theatre

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The Glass Menagerie - Rep Stage

REVIEW DC Theater Arts - “…Dylan Arredondo imbues Tom with humor, vulnerability, bombast, and a wry embarrassed fondness of his remembered self. Arredondo, as Tom, makes genuine connections with the other characters, is tenderly protective of his sister, conspiratorial with his co-worker, and even gently teasing with his mother in a particular sequence. Arredondo clearly understood what Tennessee Williams wished us, the audience, to know: that Tom and Amanda’s relationship was not exclusively, perpetually contentious.”

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Daphne’s Dive - Signature Theatre

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Beauty & the Beast - Olney Theatre Center

REVIEW DC Metro Theater Arts - 2021 Staff Favorites: Outstanding Performances in Professional Theater Productions

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REVIEW DC Metro Theater Arts - 2021 Staff Favorites: Outstanding Professional Theater Productions

REVIEW DC Metro Theater Arts - “Beauty and the Beast is also bolstered by the fantastic performances of the supporting cast. Of note are Dylan Arredondo’s Cogsworth and Bobby Smith’s Lumiere. It’s important to hit the comedic beats of these iconic characters; Arredondo and Smith manage to do so while bringing their own unique flavor to the roles.”

REVIEW Washington Post - “Dylan Arredondo is aptly pompous as the clock-ish Cogsworth.”

REVIEW MD Theatre Guide - “Dylan Arredondo captures the character of the stodgy clock, Cogsworth.”

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Fairy Tales in the Sun - Adventure Theatre MTC

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Clowntime - Edinburgh Festival Fringe

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MicroTEATRO - INTAR

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the scold’s bridle - Gingold Theatrical Group

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Initiative - Flying V Theatre

REVIEW BroadwayWorld - “Simpkins' charm and exuberance are matched by Dylan Arredondo's Bernie — the gamer who relishes being the 'bad-guy' character in every scenario, whether he's getting in touch with his inner Orc or browbeating Dave as the English Literature Professor Sprung From Dante's Ninth Circle (this avatar has a fan club already, hardly surprising).”

The Decameron - Synetic Theater

REVIEW MD Theatre Guide - “These two actors play wonderfully off of each other, and have created an insane comedy worthy of Laurel and Hardy. They both have that level of oddly graceful physicality in these performances. It was a hoot and laugh-out-loud funny but also unexpectedly tender.”

REVIEW DC Theatre Scene - “[Arredondo] proves in his short piece that he has a good sense for comedic acting and how to tell a story through physical action and facial expression. Arredondo has cast Jared Graham as his easily-duped partner, and the two of them give us one of the most unlikely and goofiest odd couples ever.”

REVIEW BroadwayWorld - “And for those who love the old 20's style slapstick, complete with intertitles and upright-piano accompaniment, you can't go wrong with Dylan Arredondo's tale (Day 5), in which he cons his roomie and drinking buddy (the clueless Jared Graham) into thinking he's pregnant.”

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Much Ado About Nothing - Pandemic Theatre

REVIEW MD Theatre Guide - Acts I, II, & III - “In a humorous comic scene, Dylan Arredondo plays Leonato and Antonia (in drag). It was done quite flamboyantly in mime with subtitles.”

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Edward the Second - Brave Spirits Theatre

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Q-Fest Playwriting Festival - Adventure Theatre MTC & 4615 Theatre Company

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Museum 2040 - 4615 Theatre Company

REVIEW DC Metro Theater Arts - Spring 2020 Staff Favorites: Outstanding Performance in a Professional Production

REVIEW DC Metro Theater Arts - Spring 2020 Staff Favorites: Outstanding Professional Theater Productions

REVIEW BroadwayWorld - “Dylan Arredondo, as Senator Ryan Hirota, is the consummate US Senator - I half-thought he was someone I used to work with during my tenure in government. He’s affable, charismatic, and intelligent, but full of quirks that could make him endearing to voters.”

REVIEW DC Metro Theater Arts - “Playwright Calarco and Director Friend have achieved something remarkable. They have created a new art form that is complex, fully realized, and utterly compelling. As artists, they have captured our moment completely.”

REVIEW John Stoltenberg (Magic Time!) - “MUSEUM 2040 may well be the quintessential American theater experience for our time. It immersed me in the trauma of this country’s past, present, and future, and I was moved beyond words.”

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Phantom of the Opera - Synetic Theater

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The Snow Queen - Synetic Theater

REVIEW DC Metro Theater Arts - “The ensemble, led by Dylan Arredondo and Darius Johnson, manage the transitions in scene, physicality, timbre, and timing with ease.”

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The Lady from the Village of Falling Flowers - Spooky Action Theater / Baby Wale DC / Provincetown Tennessee Williams Theatre Festival

REVIEW DC Theatre Scene - “It is Dylan Arredondo, however, as the Emperor (the plot involves his quest to find a superb writer of verse) who really drives the piece, and he’s terrific. Despite the artificiality of the conceit, and while keeping the rhythm taut and energized, he provides wit, supplies spontaneity, and invites empathy.”

REVIEW Medium - “Performers Dylan Arredondo, Melissa Carter, & Jared H. Graham, under the brilliant direction of Natsu Onoda Power, brought the energy of children’s theatre performers to their serious skills as puppeteers… I was as astonished at the artistry of the material aspects of this performance as I was with the skilled performances by the actors.”

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PRESS DC Metro Theater Arts - “At the preview I saw, [Dylan Arredondo, Jared H. Graham, & Melissa Carter] seemed completely in sync with the performance style, the language, the puppetry, Onoda Power’s vision, and one another.”

PRESS Washington City Paper - “Some actors have puppetry DNA.”

The Black Lizard - Provincetown Tennessee Williams Theatre Festival

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American Spies - the hub theatre

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The White Snake - Constellation Theatre Company

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REVIEW Metro Weekly - “Joining the magic serpents up in the clouds are on-point supporting players Dylan Arredondo and Andrew Quilpa, who float in and out essaying various characters.”

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Reykjavik - Rorschach Theatre

REVIEW DC Theatre Scene - “Dylan Arredondo shows off range and discipline from catty power bottom to roughneck threat in looks that beg for larger roles on DC stages in the future.”

REVIEW BroadwayWorld - “Dylan Arredondo is the most relatable for the audience, bringing a sense of vulnerability and accessibility to each of his characters.”

REVIEW DC Metro Theater Arts - “That scene between bird-watched lovers as played by Arredondo and Robert Bowen Smith is mindblowing. They think they know each other until they find out they don’t.”

REVIEW Metro Weekly - “Arredondo, on the other hand, locates a different voice and center of gravity for each of his characters, including Robert and another who’s legitimately frightening. His performance might actually persuade some in the audience into believing they’re seeing two different actors from scene to scene.”

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The Interstellar Ghost Hour - Longacre Lea

REVIEW DC Theatre Scene - “…Dylan Arredondo drips pro acting chops in varied roles. You’ll see [him] flaunt larger roles on bigger stages in no time if there’s any justice in the theater world.”

REVIEW BroadwayWorld - “And Dylan Arredondo is nothing if not versatile, moving from the reality show cook to nervous real estate salesman to a paramour trying to do everything right.”

REVIEW DC Metro Theater Arts - “charmingly comical”

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